Verena Rein

The famous Can-Can is well-known even away from Offenbach's operetta 'Orpheus in the Underworld'. In this arrangement there is a Violin 3 part as an alternative to Viola and an alternative Eb part for...

Jacques Offenbach's (1819-1880) opéra bouffe in three acts, La belle Hélène (The Beautiful Helen) parodies the Greek myth of Helen and Paris' elopement, which set off the Trojan War according to Homer...

LES CONTES D'HOFFMANN (DIE MÄRCHEN VON HOFFMANN) entstand zwischen 1876 und 1880 und ist das letzte Werk, das Jacques Offenbach (1819-1880) komponierte. Er starb vier Monate vor der Premiere, eine Bef...

LES CONTES D'HOFFMANN (DIE MÄRCHEN VON HOFFMANN) entstand zwischen 1876 und 1880 und ist das letzte Werk, das Jacques Offenbach (1819-1880) komponierte. Er starb vier Monate vor der Premiere, eine Bef...

Jacques Offenbach (1819-1880) schrieb Barbe-bleue (Bluebeard, dt. Blaubart) 1865 auf einer Reise. Die Opéra bouffe in drei Akten mit einem französischen Libretto von Henri Meilhac und Ludovic Halévy n...

Les contes d'Hoffmann (The Tales of Hoffmann) was written betweem 1876 and 1880 and is the final work composed by Jacques Offenbach (1819-1880), who died four months before the premiere, a fear that O...

Schwierigkeit: Mittelstufe Große Blasmusik umfasst Direktion in C Flöte 1 in C (2x) Flöte 2 in C Oboe Es-Klarinette Klarinette 1 in B (2x) Klarinette 2 in B (2x) Klarinette 3 in B (2x) Alt Saxofon 1 i...

Jacques Offenbachs (1819-1880) Opéra bouffe in drei Akten, La belle Hélène (Die schöne Helena), parodiert den griechischen Mythos der Flucht von Helena und Paris, die nach Homers Ilias den Trojanische...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

From Orpheus In The Underworld, Act 2 by Jacques Offenbach, this grade 3+ arrangement keeps the brilliance and excitement of the original. And, of course, the instantly recognizable Can Can section is...

This superb ballad is played at 76 BPM and will allow your alto soloist to shine. Trumpet 1 range is to written E top space with some optional 8va sections if desired. Check out the wondefful melody w...

SATB divisi, a cappella. A must-have novelty number for choirs with a sense of humor! Offenbach's most famous overture has been skillfully arranged with familiar melodic themes that pass between secti...

SATB divisi, a cappella. A must-have novelty number for choirs with a sense of humor! Offenbach's most famous overture has been skillfully arranged with familiar melodic themes that pass between secti...

A series of the finest songs for close harmony TTBB singing, taken from the bestselling Novello Barbershop Songbook. Renowned vocal arranged Nicholas Hare has added helpful performance notes to each o...

Version of 2-Part Choir and Piano.