Noten von Novello Publishing

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensem...

Written in a soft Latin style, here is an attractive setting for solo flugelhorn on this Richard Rodgers favorite. The range is very comfortable for young players and all of the solo lines are written...

Hot Latin sounds from Gordon Goodwin's Grammy-nominated CD Big Phat Band - Swingin' For The Fences! Flute and trumpet are featured in the beginning on the playful melody, but the entire ensemble gets...

The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh neighbor Mike Tomaro pays tribute to this most famous of musical themes in this l...

Jazz Ensemble Library - Grade 4 Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with...

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

Written in a Latin style, this moderately paced chart includes a creative harmonic structure in minor and a flowing melody with counterlines. Nicely scored for the entire ensemble, this will make even...

Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a...

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

It's not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a s...

Jerome Kern's classic ballad in an attractive setting for little big band arranged here as a cha-cha.

Recorded by Bill Watrous And The Manhattan Wildlife Refuge John La Barbera has taken his well-known version of Chick Corea's Spain and done a great job of adapting it for the small band format. Certai...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax. (The flute part is optional) Originally composed for the Mario Bauza Orc...

Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's...

Recorded by Chick Corea in the early 1970s, Señor Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

At the peak of the big band era, saxophonist, composer and bandleader Charlie Barnet recorded his famous version of Cherokee followed shortly by this second big hit. Treated here in a samba style, Sky...

Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger's version of this familiar standard...

Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende - 'funeral song') is written using a distinctive 12/8 'bembe' feel in a moderate tempo. The scoring utilizes a small co...