Periferia

The aim of this composition is to cover a part of the lack of horn repertoire for the first two or three years of study. The idea was to create pieces adapted to the technique of the first years, acco...

This work was created as part of a Composition Seminar I took in 2004 at the U of C with David Eagle. It was dedicated to Kathryn Ladano, This work has also been interpreted by Harry Spanaay, Fernando...

This work, for bass clarinet, has been written for the clarinettist Harry Sparnaay. With a length of 7 minutes, it starts with a quiet passage of tenuto notes, embellished little by little, that leads...

'This work for bass clarinet solo was written for Harry Sparnaay and dedicated to my friend Jose Luis Garcia del Busto. The title referring to fossils has a particular appeal to me not related to thes...

'Resonancias' was commissioned for the Center of Arts-Reina Sofia of Madrid (LIEM - CDMC) in 1999 and was premiered by clarinetist Roger Heaton during the 7th Computing and Musical Electronics Confere...

I have never seen faces' was first beformed in November 2017 by Ken Kunita, part of Dodecavember 2017. It was composed as part of a project to write a new piece of music every day for 30 days in a row...

'Resonancias' was commissioned for the Center of Arts-Reina Sofia of Madrid (LIEM - CDMC) in 1999 and was premiered by clarinetist Roger Heaton during the 7th Computing and Musical Electronics Confere...

'In September 2008, Gianluca Cangemi, a friend of mine and an excellent music composer purposed me writing something for Davide Bandieri, of whom he was already a fervent admirer; I was also struck by...