Sweet Pen Publishing

In Sonata 7, in D major, Balicourt opens with a suave, intricately rhythmic Adagio. The following Presto, with its delightful interplay between flute and bass, including both octave doubling and stret...

Der oberösterreichische Klangkünstler und Komponist Hannes Raffaseder legt hier ein Solostück für Flöte vor, das geradezu ideal ist für Wettbewerbe, Aufnahmeprüfungen und andere Vorspiele von jungen F...

2015 in Bukarest vom Widmungsträger, dem amerikanischen Flötisten Eric Lamb, uraufgeführt, ist dieses Solostück des Denisov-Schülers Roland Freisitzer (geboren 1973) eine ideale Bereicherung des Flöte...

The nimble fingers of harpists remind me of spiders weaving their deadly traps! I wrote 'Arachnaphonia' in the Far East as a 16th birthday present for my daughter Hannah, and she gave the first public...

This work was commissioned by New-York based clarinettist Thomas Piercy. It was composed in residence at the Chapelle historique du Bon-Pasteur, in Montreal, with funds from the Canada Arts Council. L...

Francois Devienne's music has long been highly rated for its grace and balance. One of the first professors of flute at the new Conservatoire in 1795, Devienne's Flute Concertos played by the composer...

Für E-Gitarre. Fünf melismatische Variationen. Gefühlvolle und gegensätzliche Gesten. Kein festes Metrum, Taktstriche nur zur Orientierung. Eine technische Herausforderung.

Limited to a few pitches these variations represent a tour-de-force for the modern tuba player. A group of five notes is repeated and accented in different ways. Gradually single notes within the grou...

This little known sonata by the great opera composer is here published for the first time with keyboard realization and basso part.

Written by Tartini as a young man, this concerto offers the soloist rewarding opportunities to dazzle. In the initial Allegro, polyphonic writing alternates with virtuouso sections full of runs and do...

From Tartini's third compositional period, this concerto in three movements has been prepared using the primary source of Tartini's autograph.

An 'operatic' concerto full of drama. Wonderfully violinistic throughout and a delight to play for intermediate and virtuoso alike. The vivid ritornellos and extrovert solo episodes makes this a highl...

L'argile, la forme, le ravin du monde (Argil, shape, the world's ravine), can be read Le materiau, la forme, le Tao (Material, shape, Tao). There are but four ingredients: my fetish tone row, a very l...

A wonderful concerto in the galant manner.

Over the beautiful second movement Tartini wrote 'I know you have no mercy' using his secret code. With the outer movements this concerto is a first class representative of the 18th century concerto....

Prepared from all four known sources, this concerto from Tartini's first compositional period emerges as a masterpiece.