Sweet Pen Publishing
The eleventh sonata, in five movements, is one of the most elaborate in the set. Its first movement (A tempo giusto) is very ornate and makes attractive use of syncopation. The second movement (Vivace...
The eleventh sonata, in five movements, is one of the most elaborate in the set. Its first movement (A tempo giusto) is very ornate and makes attractive use of syncopation. The second movement (Vivace...
- Violine und Basso Continuo
- Partitur und Stimmen
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The twelfth sonata, in four movements, makes a fitting climax to the set. Its first movement (Vivace) is somewhat corrente-like, with delicately traced passage-work. The Andante that follows is distin...
The twelfth sonata, in four movements, makes a fitting climax to the set. Its first movement (Vivace) is somewhat corrente-like, with delicately traced passage-work. The Andante that follows is distin...
- Violine und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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- Violine und Basso Continuo
- Partitur und Stimmen
- Michael Talbot Antonio Frigé
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- Violine und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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The present work consists of four movements in the tempo-sequence slow - fast - slow - fast: the 'classic' structure associated especially with Corelli. The slow movements are lyrical, the fast moveme...
The present work consists of four movements in the tempo-sequence slow - fast - slow - fast: the 'classic' structure associated especially with Corelli. The slow movements are lyrical, the fast moveme...
- Violine und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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- Violine und Basso Continuo
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This four movement sonata exemplifies Albicastro's mastery of the Corellian style.
This four movement sonata exemplifies Albicastro's mastery of the Corellian style.
- Violine und Basso Continuo
- Partitur und Stimmen
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- Violine und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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Eberl's Sonata in D major, Op.20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's...
Eberl's Sonata in D major, Op.20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's...
- Violine und Klavier
- Partitur und Stimmen
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- Violine und Klavier
- Klavierpartitur und Stimme(n)
- Martin Harlow
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- Violine und Basso Continuo
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Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this sparkling three-movement sonata for violin and continuo in E flat major, evidently composed late in hi...
Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this sparkling three-movement sonata for violin and continuo in E flat major, evidently composed late in hi...
- Violine und Basso Continuo
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- Violine und Basso Continuo
- Klavierpartitur und Stimme(n)
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It is one of numerous concertos by Vivaldi known to have been played by Anna Maria, the most celebrated of the many remarkable performers produced by the Ospedale della Pieta, the Venetian charitable...
It is one of numerous concertos by Vivaldi known to have been played by Anna Maria, the most celebrated of the many remarkable performers produced by the Ospedale della Pieta, the Venetian charitable...
- Violine und Klavier
- Klavierauszug und Stimme(n)
- Per Hartmann
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These 50 variations are based on a Gavotte by Arcangelo Corelli. Each variation is a small etude developing an important element of violin technique.
These 50 variations are based on a Gavotte by Arcangelo Corelli. Each variation is a small etude developing an important element of violin technique.
- Violine
- Noten
- Per Hartmann
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A solemn introductory Grave where the solo violin occasionally breaks out from the repeated chords with short cantabile sections, is followed by a fluent Allegro with difficult sounding passage work,...
A solemn introductory Grave where the solo violin occasionally breaks out from the repeated chords with short cantabile sections, is followed by a fluent Allegro with difficult sounding passage work,...
- Violine und Klavier
- Klavierauszug und Stimme(n)
- Anton Geerb
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Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic 'trademarks' the use of end-rhyme throughout the recitative stanzas (i. e. , not...
Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic 'trademarks' the use of end-rhyme throughout the recitative stanzas (i. e. , not...
- Gesang (tief) und Basso Continuo
- Noten
- Michael Talbot
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Der Geburtstag der Kasseler Komponistin Luise Greger, um 1930 "Deutschlands bedeutendste lyrische Tondichterin der Gegenwart", jährt sich am 27.12.2012 zum 150. Mal. Das kompositorische Schaffen von L...
Der Geburtstag der Kasseler Komponistin Luise Greger, um 1930 "Deutschlands bedeutendste lyrische Tondichterin der Gegenwart", jährt sich am 27.12.2012 zum 150. Mal. Das kompositorische Schaffen von L...
- Gesang (mittel) und Klavier
- Partitur
- Furore Verlag
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- Gesang (hoch) und Basso Continuo
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- Michael Talbot
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This is an example of a cantata morale a cantata that, for once, does not explore the pleasures and pains of love among the shepherds and nymphs of Arcadia but offers timeless advice on moral conduct....
This is an example of a cantata morale a cantata that, for once, does not explore the pleasures and pains of love among the shepherds and nymphs of Arcadia but offers timeless advice on moral conduct....
- Gesang (hoch) und Basso Continuo
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- Michael Talbot
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The cantata's subject, treated with a soupçon of humour and originality (by being combined with the unrelated theme of sleep), is the familiar one of a lover protesting his fidelity to his beloved. Th...
The cantata's subject, treated with a soupçon of humour and originality (by being combined with the unrelated theme of sleep), is the familiar one of a lover protesting his fidelity to his beloved. Th...
- Gesang (hoch) und Basso Continuo
- Noten
- Michael Talbot
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- Gesang (hoch) und Basso Continuo
- Noten
- Michael Talbot
- Edition HH Limited
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- Gesang (hoch) und Basso Continuo
- Noten
- Michael Talbot
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The poetic theme of the cantata is the well-worn one of unrequited love. In the opening aria, the singer challenges the God of Love to battle. This is a true aria di battaglia in which the singer mimi...
The poetic theme of the cantata is the well-worn one of unrequited love. In the opening aria, the singer challenges the God of Love to battle. This is a true aria di battaglia in which the singer mimi...
- Gesang (hoch) und Basso Continuo
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- Michael Talbot
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This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is distinguished not only by its music, which is exceptionally finely wrought and ends wi...
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is distinguished not only by its music, which is exceptionally finely wrought and ends wi...
- Gesang (hoch) und Basso Continuo
- Noten
- Michael Talbot
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