Noten für Chor und Gesang für alle Besetzungen

This energetic revoicing of Michael John Trotta's Omnia Vincit Amor for SATB Voices is intended as an accessible piece for developing mixed singers. Whether accompanied or a cappella, there are many o...

The choral writing of Natalie Sleeth needs no introduction, nor does her ingenious Fa-la-la Fantasie! Originally written for SATB voices, Greg Gilpin has masterfully arranged this standard for SAB and...

A classic seventeenth century madrigal, What If I Never Speed?, originally for four voices, has been judiciously re-set for a 3-part choir in a lower key (Bb) than the original (C). This allows the ma...

Every choir can do this! Rhythmic meter changes in an a cappella men's section, familiar melody, solo opportunities, and expressive dynamics all add up to a winning choral piece in this Carl Strommen...

Ah!, is certainly the way to describe this enchanting piece. In both the musical arrangement and the editorial, educational notes provided, Pat is at his best in this wonderful selection. English madr...

Reminiscent of the vocal stylings of the Swingle Singers,' this Darmon Meader original uses text of doo bah doo bah doo and a swingin' melody line which effectively builds into a bluesy groove. It's a...

SATB Voices a cappella S'vivon, or The Dreidl,' is a Jewish folk song in an expressive, lush setting by Darmon Meader for the New York Voices. Originally recorded for the charity Pioneers for a Cure:...

To live Ubuntu, the essence of a human being - simply means we need each other, are made better by each other, and cannot exist as human beings in isolation. With traditional text based on this Africa...