Chorpartituren

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, edited by Henry Geehl, for 2-part upper voices.

A short pastoral duet for voices, with a Piano accompaniment for reheasal purposes only.

These two spirituals -- Steal Away and Were You There? -- have become staples in the gospel repertoire and have been skillfully and sensitively combined into a quodlibet for male Voices with Piano acc...

Arranged by the composer for female voice duet (SS) with piano accompaniment.

The words of Helen Taylor paired with Liszt's Liebestraum. Arranged for 2-Part Choir and Piano by Henry Geehl.

Come to the Fair was taught and sung extensively throughout the twentieth century in England and abroad, having been first published in 1917. It has a charming tune whose allargando at the beginning o...

This duet for High and Low voices by Easthope Martin is a lively country-dance setting of a text by Helen Taylor with full Piano accompaniment.

A two-part song. Poem by Martin Luther, music by Easthope Martin.

The popular and lively Christmas carol arranged for 2-part choir with Piano accompaniment by Henry Geehl.

Mendelssohn 'I Waited For The Lord' arranged for 2 part and piano by H. Geehl.

Mendelssohn 'Two Airs From Elijah' arranged for two part with piano accompaniment by H Geehl.

C. Morris' Stranger Of Galilee in the key of F major.

Mozart's Alleluja! has been beautifully arranged for Two-part Female Voices (SS) with Piano Accompaniment by Purcell J. Mansfield. This piece is suitable for either School or festive use and is most e...