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Festival hymn with introductory fanfare for mixed choir, brass ensemble , timpani, percussion and organ, or orchestra

The instrumental material is available on hire.

Mit einer einfachen, ansprechenden Melodie und einer fließenden Begleitung weckt The Colours of Christmas ein berührendes Gefühl der Sehnsucht nach den Freuden der Festtage.

This carol celebrates the birth of the Saviour, whose reverberating promise, 'I am the light', gives hope that all discord and divides will finally end. Uplifting and powerful, the carol has lyrics in...

From the collection Bob Chilcott Carols 2, 'Still, still, still' is Chilcott's sensitive arrangement of the carol, scored for SATB unaccompanied. Interweaving harmonies and a recurring counter-melody...

This edition offers a significant earlier version of a section of the fourth motet, rescored passages from the fifth, helpful notes on performance, and supporting online materials. Comprehensive and p...

Arranged here for unison voices and piano, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. Also avail...

Cantemos a María" ist ein populärer Villancico (oder Weihnachtslied) aus der Dominikanischen Republik im Stil des Merengue, des dominikanischen Nationaltanzes. Der Villancico zeichnet sich durch seine...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...

From the carol cycle Dancing Day, and also in Carols for Choirs 4.

Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again. Brass choir score and parts...

With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season.

There are two versions of the vocal parts - for two-part upper voices with piano or for SATB with organ. An orchestral accompaniment is also available for both versions. Words are from Corinthians 1:1...

A piano transcription, made by the composer himself, of Rutter's much-loved setting of Mrs C. F. Alexander's famous hymn. Suitable for pianists at early intermediate level, and clearly presented and l...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo high voice and piano (which may be adapted for performance on the o...

The character who finds herself centre-stage in Guy Turner's delightful love-song Tequila Samba is neither eccentric nor larger than life, but the unwitting object of the author's admiration as she qu...

Possibly one of Cristo's earlier motets, this attractive piece demonstrates a beautiful simplicity in the individual lines, shaped by homophonic writing at each cadence. This motet also employs melism...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

A setting of one of the seven Advent 'O' Antiphons, O Oriens makes use of luxurious and exotic harmonies, creating a shimmering texture. The focus on human enlightenment in winter's darkness means the...

Also in Carols for Choirs 3 and 100 Carols for Choirs.

In this arrangement of the hymn tune St Clement, traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements, which have been re...

This gentle setting has all the tranquillity and grace associated with this ancient text. It is fashioned from a simple rocking theme, which weaves serenely through different keys as the piece unfolds...