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Also available in Twelve Christmas Carols Set 1 and Advent for Choirs. Score and orchestral parts are available on hire.
Also available in Twelve Christmas Carols Set 1 and Advent for Choirs. Score and orchestral parts are available on hire.
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Slow and nostalgic in flavour while retaining Chilcott's characteristic warmth and ebullience, this piece befits the text to which it is set: a poem by John Greenleaf Whittier that speaks to how the k...
Slow and nostalgic in flavour while retaining Chilcott's characteristic warmth and ebullience, this piece befits the text to which it is set: a poem by John Greenleaf Whittier that speaks to how the k...
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A serene setting of the familiar New Hampshire text. Carter's writing for the voices - they repeatedly begin a phrase in unison and then divide into rich harmonies - is particularly effective in evoki...
A serene setting of the familiar New Hampshire text. Carter's writing for the voices - they repeatedly begin a phrase in unison and then divide into rich harmonies - is particularly effective in evoki...
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A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the chorus singers are encouraged to sign the words they are singing, resulting in very moving...
A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the chorus singers are encouraged to sign the words they are singing, resulting in very moving...
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Full score for John Rutter's arrangement of Joy to the World. The carol is available as both an individual choral leaflet and as part of the Christmas collection Joy to the World; this score is compat...
Full score for John Rutter's arrangement of Joy to the World. The carol is available as both an individual choral leaflet and as part of the Christmas collection Joy to the World; this score is compat...
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The instrumentation is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from `a Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes...
The instrumentation is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from `a Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes...
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This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. Offprinted from Carols for Choirs 6. Versions fo...
This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. Offprinted from Carols for Choirs 6. Versions fo...
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From the collection Bob Chilcott Songbook, this simple but elegant arrangement of the traditional Welsh song is supported by flowing piano accompaniment. This dual-language piece also has an orchestra...
From the collection Bob Chilcott Songbook, this simple but elegant arrangement of the traditional Welsh song is supported by flowing piano accompaniment. This dual-language piece also has an orchestra...
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- Bob Chilcott
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This Basque folk carol begins with a baritone solo before expanding out to a whole four-part choir. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Caro...
This Basque folk carol begins with a baritone solo before expanding out to a whole four-part choir. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Caro...
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In this organ voluntary, Skempton has crafted a wash of melting lines using his distinctive harmonic language. Affirmation expands from a singular note into undulating four- and five-part textures.
In this organ voluntary, Skempton has crafted a wash of melting lines using his distinctive harmonic language. Affirmation expands from a singular note into undulating four- and five-part textures.
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Also available in 100 Carols for Choirs.
Also available in 100 Carols for Choirs.
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Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choirs 1.
Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choirs 1.
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Orchestral material is available on hire. A different arrangement for unaccompanied SA voices is in Carols for Choirs 4.
Orchestral material is available on hire. A different arrangement for unaccompanied SA voices is in Carols for Choirs 4.
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Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor, Sir David Willcocks. The haunting melody of the verses and the reflective refra...
Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor, Sir David Willcocks. The haunting melody of the verses and the reflective refra...
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Full score for the joyful carol of celebration with the refrain 'Gloria in excelsis Deo'. Compatible with both the upper- and mixed-voice versions. Also available on hire/rental.
Full score for the joyful carol of celebration with the refrain 'Gloria in excelsis Deo'. Compatible with both the upper- and mixed-voice versions. Also available on hire/rental.
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Die Begleitung für Streicher und Schlagzeug kann ausgeliehen werden.
Die Begleitung für Streicher und Schlagzeug kann ausgeliehen werden.
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From the collection Bob Chilcott Carols 2, 'Jingle, Bells' is Chilcott's lively and exhilarating arrangement of the seasonal classic, scored for SATB and piano. Featuring rhythmic harmonies and a spar...
From the collection Bob Chilcott Carols 2, 'Jingle, Bells' is Chilcott's lively and exhilarating arrangement of the seasonal classic, scored for SATB and piano. Featuring rhythmic harmonies and a spar...
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A piano transcription, made by John Rutter himself, of one of his best-loved carols, a joyful work of celebration. Suitable for pianists at early intermediate level, and clearly presented and laid out...
A piano transcription, made by John Rutter himself, of one of his best-loved carols, a joyful work of celebration. Suitable for pianists at early intermediate level, and clearly presented and laid out...
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Make we joy now in this fest ist eine lebhafte und mitreißende Vertonung eines makkaronischen Textes aus dem 15. Jahrhundert. Ein äußerst einprägsamer und energiegeladener Refrain umrahmt ausdruckssta...
Make we joy now in this fest ist eine lebhafte und mitreißende Vertonung eines makkaronischen Textes aus dem 15. Jahrhundert. Ein äußerst einprägsamer und energiegeladener Refrain umrahmt ausdruckssta...
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Will Todd's Softly is a tranquil carol that captures the peace and spirit of Christmas. Featuring subtle suspensions, modulations, and time signature changes it will appeal to a wide range of choirs....
Will Todd's Softly is a tranquil carol that captures the peace and spirit of Christmas. Featuring subtle suspensions, modulations, and time signature changes it will appeal to a wide range of choirs....
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This bracing arrangement for choir and organ of the traditional carol is replete with catchy rhythms and harmonic surprises, and boasts a glittering organ part. Offprinted from Carols for Choirs 6.
This bracing arrangement for choir and organ of the traditional carol is replete with catchy rhythms and harmonic surprises, and boasts a glittering organ part. Offprinted from Carols for Choirs 6.
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This enchanting setting brings a fresh take on a familiar fifteenth-century text. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody through each of the voice part...
This enchanting setting brings a fresh take on a familiar fifteenth-century text. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody through each of the voice part...
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Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison voices; the second is a cappella, with an optional soloist or small group and sustained 'ooh's;...
Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison voices; the second is a cappella, with an optional soloist or small group and sustained 'ooh's;...
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- Michael Higgins
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A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer and expressed through artful word-painting. Christ our Emmanuel may be ac...
A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer and expressed through artful word-painting. Christ our Emmanuel may be ac...
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