Kirchenlieder für gemischten Chor

A Setting of Psalm 100 for Four-Part Chorus of Mixed Voices A Cappella. Edited by Boyd Bacon. English text provided as alternative.

Henry Cowell's Psalm 121 for four-part Chorus of Mixed Voices a cappella.

For Double Choir A Cappella. Text: Gerard Manley Hopkins

The composer of the popular Shakespeare Songs brings us this simple and eloquent new setting of the well-known prayer.

From Psalm 137, By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion, this a cappella motet is filled with longing and deep emotion. Performance Time: Approx. 5:00

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

Part of a larger work, Requiem for Peace, this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between wa...

The Ave Maria has been sung, chanted and prayed in churches, cathedrals and cloisters since before the Middle Ages. This setting, which includes quotations from the plainsong chant, depicts the voicin...

One of the four Marian antiphons, this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

With homage to Bruckner and Messiaen, the gentle phrases and rich harmonies of this contemporary Latin setting will resonate throughout your performance space. 'Sleep, Jesus. Thy mother smiles when sh...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Samuel Barber created this arrangement while he was conducting the Madrigal Choir at the Curtis Institute. His editorial markings and interpretations have been meticulously recreated for this immensel...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This haunting, introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psa...

This is an a cappella setting of Psalm 23, set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin.

Augusta Read Thomas' Psalm 91: Verse 11 for Boys and Men's Chorus or SATB Chorus, a cappella.

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...