Kirchenmusik für Orchester

Familiar hymns and original music, combined with two narrators reading from scripture, tell the story of Jesus' final days in this new cantata for the Lent & Easter season. Intentionally, written to b...

Based on the words from Colossians 3, 'to serve the Lord with a joyful heart and bring your best to the King, and to do it with all your heart, in the name of the Lord, ' this expressive ballad is esp...

This classic hymn text is given a lavish, masterful treatment which opens with a snare drum and a regal horn call before the men begin softly singing.

This beloved Christmas spiritual is set in a soulful, gospel blues style and comes from Joel Raney's popular gospel Christmas cantata, Joy!, code no. 8721.

This originally appeared in Mary McDonald and Joel Raney's best-selling Christmas musical, 'Sing Christmas, ' code no. 8901.

This meaningful Christmas ballad written in 1990 has maintained its popularity for three decades with its rich poetry and imagery. This setting for SATB choirs and orchestra is ideal for Christmas con...

This original anthem powerfully proclaims that God is 'the light, he's the courage, he's the strength. Holy, holy, God Almighty! He is the power and the glory, God Almighty is!' Celebrating the many a...

Gloria Partitur für volles Orchester

Gloria Parts für die Orchestrierung

Full Orch: 2.2.2.2 - 4.3.3.1 + hp. + timp. + 2 perc. + str.

Full Orch: 2.2.2.2 - 4.3.3.1 + hp. + timp. + 2 perc. + str.

Volles Orchester (27+ Spieler) 2.2.2.2 - 4.3.3.1 + hp. + timp + 1 perc. + str

Volles Orchester (27+ Spieler) 2.2.2.2 - 4.3.3.1 + hp. + timp + 1 perc. + str

Volles Orchester: 2.1.2.1 - 2.3.3.1 - Pauke, Schlagzeug, Harfe, Klavier. (opt.) + Str.

Volles Orchester: 2.1.2.1 - 2.3.3.1 - Pauke, Schlagzeug, Harfe, Klavier. (opt.) + Str.

Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 17...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...

Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...

Das "Requiem" von Gabriel Fauré ist das bekannteste der großen Werke des Komponisten. Scheinbar nicht für den Tod eines bestimmten Menschen geschrieben, schrieb er über das Werk: "Alles, was ich an re...

Das "Requiem" von Gabriel Fauré ist das bekannteste der großen Werke des Komponisten. Scheinbar nicht für den Tod eines bestimmten Menschen geschrieben, schrieb er über das Werk: "Alles, was ich an re...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...