Klassik Noten für Orchester

Diese Vertonung des berühmten Weihnachtsgedichts ist für Sprecher mit Orchester. Volle Partitur

Die 7. Symphonie von Peng-Peng Gong wurde vom Shenzhen Symphony Orchestra in Auftrag gegeben und wird vom Komponisten als ein fast Brahms-Dvorak-Stück beschrieben. Besetzung: 2+1.2.2.2: 4.3.2+BsTbn.1:...

THREE TO GET READY von David Ott kombiniert sieben Stücke, drei von Ott und vier aus dem breiteren Repertoire, zu einem pädagogischen Werk für Schülerinnen und Schüler, wobei THE WAY MUSIC BEGINS eine...

Diese kraftvolle symphonische Dichtung des Meisterkomponisten Jewhen Stankowytsch beschreibt die Symbolik des Flusses Dnipro (oder Dnjepr) in der Ukraine. Als großer Fluss ist er für das ukrainische V...

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most not...

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most not...

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most not...

Dedicated to the memory of Franz Liszt, Saint-Saens' Symphony No. 3 'Organ' Op. 78 in D minor is one of the most important works in French symphonic music. The piece was commissioned by the London Phi...

Brahms' first Piano Concerto began life as a design for a symphony. However, daunted by the legecy of Beethoven, Brahms' inexperience caused him to reorganise the piece as a more modest Sonata for two...

One of the greatest piano virtuosos of all time, Franz Liszt composed piano music marked by its technical brilliance, innovation, and imagination. This collection presents authoritative miniature scor...

Since its premiere in 1885 at the Savoy Theatre in London, The Mikado (or The Town of Titipu) has become one of the most-performed pieces of musical theatre in history. As with many of Gilbert and Sul...

W. S. Gilbert's complete libretto for H. M. S Pinafore, which opened May 28, 1878, at the Opera Comique and ran for 571 performances. Subtitled 'The Lass That Loved A Sailor', the story concerns a cap...

. . . arguably the most spectacular orchestral writing heard in any opera of the past half a century. For mastery of texture, color and invention, Mr. Anderson sets standards. . . a triumph of sustain...

After a period of intense work and isolation for Benjamin, his much-awaited new opera, Written on Skin, was premiered at the Aix-en-Provence Festival on 7 July 2012. A long standing ovation was the fi...

Drake's libretto deftly weaves together a wide variety of texts, from actual communications sent on the morning of 9/11 to passages from the Latin Requiem Mass.

A turning point for Adès and, it felt, for opera itself. ' The Observer (Fiona Maddocks), 31 July 2016 'Some of Adès's most powerful orchestral writing. . . The music is constantly fascinating. . . Ca...

Inspired by the fast-moving scenes and vulnerable, complex characters of Elizabethan drama, this new opera by George Benjamin and Martin Crimp considers what space, if any, exists for love and human a...

Instrumentation: perc(4): 3 gong/cel/vib/glsp/mar/5 bongo/timb/congas/timp/5 tom-t/BD/4 cencerro/3 tgl/musical saw/glasschimes/wood chimes/2 tam-t/3 susp.cym/4 tpl.bl/crot -harp - strings

Instrumentation: 2.picc.3.3.2.cbsn - 4431 - timp - perc(3): SD/cyms/BD- harp - strings or 2.2.2.1.cbsn - 4231 - timp - perc(2): SD/cyms/BD -strings

Instrumentation: 2.picc.2.2.2 - 4331 - timp - perc(2): cyms/BD/SD/tam-t/glsp/tamb/xyl/cast - harp - strings

For Double Bass and Orchestra (piano reduction). Solo part only.

Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive statement, Mahler did not complete a Symphony No. 10. He did, however, leave 'a work fully prepared in the sketch, ' the complet...

The solo Piano part of Robert Schumann's Piano Concerto In A Minor Op. 54, as edited by Clara Schumann.