Mittelschwere Noten für Gemischter Chor

W. A. Mozart's Lacrymosa (Day of Sadness), from Requiem K. 626, for SATB Choir with Piano accompaniment, and English words by William Josiah Irons.

Virgil Thomson's Saints' Procession from '4 Saints In 3 Acts' for SATB chorus with Piano accompaniment. This work incorperates words by Gertrude Stein.

Appropriate for any occasion or a national emphasis service, here's a fine 'jewel' from John Ness Beck. Based on 'Hyfrydol', this anthem is timeless. New brass and percussion arrangements from John Pu...

Mozart's Luci Care, Luci Belle or Eyes of beauty, Eyes Flashing Bright is a nocturne for Three-Part Chorus of Mixed Voices. Italian of English texts are both included and this edition has been edited...

Virgil Thomson's The Jumblies for SATB choir with Soprano solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The completework...

Virgil Thomson's Half An Alphabet for SATB choir with Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The complete work consistsof f...

Virgil Thomson's The Akond Of Swat for SATB choir with Baritone solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. Thecomplete...

Four-part mixed SATB choir with Piano accompaniment of this wonderful mass.

An arrangement for a four-part SATB Choir of mixed voices with Piano accompaniment of this wonderful, traditional English folk-song. Arranged by Margaret Vance.

For SATB Choir with accompaniment.

This Is A Great Country by Theron Kirk for SATB choir with Piano accompaniment.

When I Was One And Twenty is the third song in the cycle Three Songs From A Shropshire Lad. It is arranged here for SAB Chrous and Piano accompaniment.

Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York ChoralSociety,...

Includes madrigals by Palestrina, Thomas Morley, Victoria and Monteverdi. Original language and English translation both provided.

This Shaker song by Edwin Ferguson, arranged by Dick Averre, should be sung 'with slowly mounting intensity and fervour'. The Piano accompaniment is a key part of the song's building rhythm.

Arranged for SAB Choir and Piano by Dick Averre. Text: James Agee

A fabulous arrangement of Duke Ellington's classic Come Sunday for SATB Choir with Piano accompaniment, as arranged by Alice Parker.

I Wonder As I Wander by John Jacob Niles, arranged by Keith Christopher for SATB chorus with Piano accompaniment and optional Flute. This Christian folk hymn was inspired by a songheardby Niles at a...

I Wonder As I Wander by John Jacob Niles, arranged by Keith Christopher for SAB chorus with Piano accompaniment and optional Flute. This Christian folk hymn was inspired by a songheardby Niles at a f...

A catchy song for SATB choir on the theme of love. Ideal for teenage/school choirs. Also available for Upper Voices (catalogue no: GS88946)

Jon Washburn musically draws special, deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening piano part and a brooding choral part. Vocal...

This beautiful Sara Teasdale poem presents, initially, a comforting vision of the natural beauty of a world returning to equilibrium until we realize that it can only happen after humans are removed f...

Most of us think that going viral is a 21st century phenomenon, made possible by the immediacy and ubiquity of the Internet. But Tenting on the Old Camp Ground, Walter Kittredge's haunting Civil War s...

O Guiding Night is a colourful and evocative setting of the text 'The Dark Night' by 16th-century Spanish mystic/poet St John of the Cross. Williams's setting really gets to the heart of the words, co...

This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg's use of a 7/8 time signature keeps the verses propelling f...