Mittelschwere Noten von Southern Music Company

MAJESTIC ist ein energiegeladenes Werk, das das dramatische Potenzial und den immensen emotionalen und rhythmischen Schwung des modernen Blasorchesters unter Beweis stellen soll. Fanfarenartige Passag...

Gottschalk lebte nicht lange genug, um einen großen Katalog zu hinterlassen, aber die Werke, die er an die Öffentlichkeit brachte, waren zu ihrer Zeit sehr beliebt. Dies ist eines seiner bekannteren W...

Dies ist ein frisches und belebendes Werk, das jedes Programm bereichern wird. Ein seltenes Werk von einer wenig bekannten, aber bedeutenden französischen Komponistin.

D-Day, 6. Juni 1944. Ein schicksalhafter Tag und der Wendepunkt des Zweiten Weltkriegs. Ein Tag, der im Laufe der Jahre an Bedeutung und Ehrfurcht gewonnen hat. Es war ein Tag, den wir nie vergessen s...

Hail to the 514th is a lively march in a traditional style by West Texas A&M University Professor Emeritus and master band composer Gary Garner. The work is a salute to the 514th Air Force Band and wa...

The Italian Symphonic Marches are based chiefly on flowing melodies, contrapuntal material and contrasting rhythms. Bonelli has employed leitmotifs which reappear often through the composition.

Among Dett's earliest titles was his 'Characteristic March Two-Step, ' After the Cake Walk. Perhaps written by Dett when he was a teenager, this edition is wholly based upon its original 1901 band pub...

Like other sets in Jim Mahaffey's 'Ten-Minute' series for jazz ensemble, these three unison warmups can be performed by your group in a 10-minute warmup at the beginning of your rehearsal. Each sectio...

Long, Long Ago: Fantasie' (Lang, lang, ist's her') is a wonderful selection for the advancing player looking for a contest or recital piece that offers four progressive variations with distinctly cont...

This fun piece for the advancing bass trombonist offers players the opportunity to stretch into both the low and higher register and is a wonderful selection for recital or contest.

Composed in the summer of 1984, Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication, it has be...

This beautiful reverie for euphonium and piano begins with a ephemeral interplay between the soloist and piano that, with the constantly changing meter, suggests no pulse, but creates a constant sense...

A single movement contest solo for marimba written in the style of a minuet.

This intermediate to advanced mallet solo features shifting accents over a 'perpetual motion' sixteenth note pulse in the opening and closing sections. A more lyrical Adagio middle section employs rol...

Originally written by Handel for violin and continuo (HWV 370), this edition has been arranged by Linda Maxey for marimba solo with piano accompaniment.

An original two movement duo for marimbas by Boston Symphony Orchestra percussioinist Thomas Gauger.

The Sonata No. 1 for timpani and piano contains three movements which explore in-depth the melodic and rhythmic possibilities of the timpani. Used four drums.

A three movement timpani solo full of drive and intensity, this piece requires four drums. Parts of the music allow the player to use their fingertips rather than mallets.

Was composed at the request of saxophonists Lawrence Gwozdz and Harry White in honor of the 80th birthday of Sigurd Rascher. The duo premeried the work at a surprise informal concert at the Rascher ho...