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This setting of the well-known fifteenth-century text is both simple and effective. With enchanting solos and a gentle choral refrain, this tender carol will bring a moment of stillness and reflection...

Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. It is suitable for performance throughout the liturgical year, and the s...

This setting of the Song of Songs is a fine example of Skempton's distinctive ability to distil and express the emotional essence of a text. Beautifully understated, and employing a straightforward to...

James Kevin Gray's tender carol Little Baby, Born of Mary successfully juxtaposes sound and silence, with warm harmonies and gentle rhythms providing the musical backdrop for the timeless story of the...

'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended ha...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Offprinted from Carols for Choirs 5, this exquisite setting of a familiar text by Isaac Watts has flexible scoring, with choirs encouraged to explore different options for each of the four verses. The...

Originally published in the anthology, An American Christmas, this is a serene setting of a macaronic text by M. K. Dean describing the song the angels sang for the birth of the Christ-child.

Following Jackson's settings of the seven 'O' antiphons (Seven Advent Antiphons), this is a setting of the text recognised as the eighth 'O' antiphon and performed as such in many Christian traditions...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression o...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The two choirs portray the conflicting emotions expressed in the poem demonstrated by the...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...

Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, and imaginative harmonic language, leading to a satisfying Tierce de Pic...

This is a warm and contemplative setting of the medieval Latin hymn, suitable for communion services or for Lent, Passiontide, or Corpus Christi. Built around harmonic sequences and an appealing openi...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.