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In this beautiful, atmospheric arrangement of Franz Gruber's 'Silent night' Sarah Quartel employs choral divisi and unexpected harmonies to create a lush bed of sound over which the soprano duet soars...
In this beautiful, atmospheric arrangement of Franz Gruber's 'Silent night' Sarah Quartel employs choral divisi and unexpected harmonies to create a lush bed of sound over which the soprano duet soars...
- 2 Singstimmen (hoch) und gemischter Chor (SATB)
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'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...
'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...
- Gemischter Chor (SSATB)
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In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...
In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...
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When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...
When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...
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This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.
This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.
- Gemischter Chor (SATB)
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In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...
In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...
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A lively sixteenth-century anthem based on Psalm 81.
A lively sixteenth-century anthem based on Psalm 81.
- Gemischter Chor (SATB)
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- Maurice Bevan
- Oxford University Press
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This peaceful arrangement of James R. Murray's melody explores a different choral texture in each of its verses, from optional solo to SATB a cappella. The final verse includes a gentle descant, which...
This peaceful arrangement of James R. Murray's melody explores a different choral texture in each of its verses, from optional solo to SATB a cappella. The final verse includes a gentle descant, which...
- Gemischter Chor (SATB) und Orgel
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Two of Stanford's finest partsongs for unaccompanied SATB voices.
Two of Stanford's finest partsongs for unaccompanied SATB voices.
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Composed in 1840, this popular eight-part madrigal is also in the anthology Madrigals and Partsongs. Replete with fine polyphonic writing and rich and expressive sonorities, it provides a fine example...
Composed in 1840, this popular eight-part madrigal is also in the anthology Madrigals and Partsongs. Replete with fine polyphonic writing and rich and expressive sonorities, it provides a fine example...
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This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir...
This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir...
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This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...
This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...
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William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...
William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower...
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Chilcott's arrangement of this well-loved carol is gentle and expressive. Extended harmonies and suspensions beautifully colour the unaccompanied second verse, while the third verse is paired with an...
Chilcott's arrangement of this well-loved carol is gentle and expressive. Extended harmonies and suspensions beautifully colour the unaccompanied second verse, while the third verse is paired with an...
- Gemischter Chor (SATB) und Orgel
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- Bob Chilcott
- Oxford University Press
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This is an evocative setting of a powerful text by Seán Street describing the call for assistance made by the occupied Channel Islands in 1944 and the response of the Red Cross ship, the Vega, which c...
This is an evocative setting of a powerful text by Seán Street describing the call for assistance made by the occupied Channel Islands in 1944 and the response of the Red Cross ship, the Vega, which c...
- Gemischter Chor (SSATB)
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This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...
This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...
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This is an energetic setting of a text by Jennifer Thorp that celebrates and encourages festivities during Christmas time. With a fast tempo, Young's lively melodies are full of syncopated rhythms and...
This is an energetic setting of a text by Jennifer Thorp that celebrates and encourages festivities during Christmas time. With a fast tempo, Young's lively melodies are full of syncopated rhythms and...
- Gemischter Chor (SATB)
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This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...
This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...
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This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...
This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...
- Soli (SA) und gemischter Chor (SSAATTBB)
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- Bob Chilcott
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This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar li...
This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar li...
- Gemischter Chor (SATB) und Gesang (hoch)
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Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...
Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...
- Gemischter Chor (SATB)
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This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...
This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...
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This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...
This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...
- Gemischter Chor (SATB)
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In this beautiful arrangement of Tallis' popular hymn, Chilcott expertly utilizes the flexibility of the SATB double choir. The piece will be enjoyed by church and chamber choirs alike.
In this beautiful arrangement of Tallis' popular hymn, Chilcott expertly utilizes the flexibility of the SATB double choir. The piece will be enjoyed by church and chamber choirs alike.
- Gemischter Chor (SATB)
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- Bob Chilcott
- Oxford University Press
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This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arranger, exploiting the richness of the SSSATB...
This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arranger, exploiting the richness of the SSSATB...
- Gemischter Chor (SSSATB)
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- Bob Chilcott
- Oxford University Press
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