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Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...

Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...

Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...

Stacey Gibbs captures the soul of each Spiritual he arranges. The essense of the song is unchanged, yet something new and fresh appears. It is the spiritual we know and love, yet it glistens like neve...

Ken Berg had a brilliant idea when he merged the classic Samuel Francis text with this elegant Brahms motet. Deeply profound in its simplicity, this piece is an excellent choice for Communion, Lent an...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Light, fast, strong and accented describe this arrangement of the traditional spiritual. This is a wonderful contrast to the heavy style so often associated with traditional spirituals. Each of the vo...

A heavy blues beat defines this arrangement of this traditional spiritual. The arranger calls for wailing and the passion required from the chorus and the mezzo-soprano soloist are critical in bringin...

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonatio...

This rich setting of the Latin Eucharistic hymn offers an expression of devotion through rich harmonies and a treble obbligato. A stunning work for capable mixed choirs from high school and up!

Lovely warm harmonies will fill your performance space in this short setting of the traditional Irish blessing with a few slight lyric alterations to provide a more enveloping framework for the listen...

Performed by the Eric Whitacre Virtual Choir 4 of 2013, bringing together over 8000 submissions from 101 countries from around the world, the work requires an electronica track for performance.

Made famous by the legendary Dinah Washington, this deeply expressive standard is richly arranged for unaccompanied jazz choir. Expanded ranges and divisi provide challenge, but offer rewards for the...

From the hushed opening this choral lament grows in sound and intensity to a powerful outpouring of sorrow. The song, originally from the Dave Matthews Band, was arranged for the Minneapolis-based voc...