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This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this b...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral f...

For SATBB unaccompanied. A series of superb anthems spanning one of the greatest periods of English music. The anthems reflect many stuyles ranging from simple four-part chordal anthems to elaborate m...

SATB unaccompanied. A fine four-part motet for Christmas.

One of the simplest and best-loved of 16th-century anthems.

Orchestral material is available on hire. Also available in Carols for Choirs 3. A different arrangement for SSA unaccompanied is in Carols for Choirs 4.

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Have you heard the story of the baby boy, born in Bethlehem? From that simple question Jay Althouse has crafted another superb, original Christmas spiritual. It features contrasting dynamics (excellen...

Have you heard the story of the baby boy, born in Bethlehem? From that simple question Jay Althouse has crafted another superb, original Christmas spiritual. It features contrasting dynamics (excellen...

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

A simple four-measure a cappella opening develops slowly and meaningfully into a gorgeous ballad of farewell. 'I know you must travel your road as I must travel mine, but may our paths meet again some...

A simple four-measure a cappella opening develops slowly and meaningfully into a gorgeous ballad of farewell. 'I know you must travel your road as I must travel mine, but may our paths meet again some...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

An exciting, original, a cappella Christmas spiritual from Jay Althouse in the tradition of his 'No Room,' 'Have You Heard?,' and 'Whisper! Whisper!' Lots of effective dynamic contrasts make this a th...

An exciting, original, a cappella Christmas spiritual from Jay Althouse in the tradition of his 'No Room,' 'Have You Heard?,' and 'Whisper! Whisper!' Lots of effective dynamic contrasts make this a th...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...

This sensational arrangement of the ever-popular spiritual begins in Eb and ends in G with a bright, showy finish. It includes a rhythmic a cappella section reminiscent of an old-fashioned gospel quar...

This sensational arrangement of the ever-popular spiritual begins in Eb and ends in G with a bright, showy finish. It includes a rhythmic a cappella section reminiscent of an old-fashioned gospel quar...

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.