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As performed by Gordon Goodwin's Little Phat Band, the instrumentation is tenor sax, trumpet, trombone, piano, guitar, bass (electric), and drums. A Latin groove with montuno patterns by the rhythm se...

Stimmensatz - Bläserstimmen komplett Besetzung: 1. Stimme in C (Flöte); 1. Stimme in B (Trompete); 1. Stimme in Es (Altsaxofon)/4. Stimme in B (Tenorsaxofon); 4. Stimme in C (Posaune)/5. Stimme in Es...

This well-known theme gets a make-over inspired by the version recorded by Bobby McFerrin. The groove is medium swing with an occasion hint Here is a creative new take on this Duke Ellington favorite...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

Featuring a contemporary sounding groove utilizing even 8th notes, this familiar standard is given a unique treatment in the skilled hands of Mike Tomaro. A trio of tenor sax, trombone and guitar take...

This well-known theme gets a make-over inspired by the version recorded by Bobby McFerrin. The groove is medium swing with an occasion hint Here is a creative new take on this Duke Ellington favorite...

Wayne Shorters hypnotischer Moll-Blues wurde vor allem durch die Aufnahme von Miles Davis bekannt und gelangte ins Repertoire vieler Jazzmusiker. Mike Tomaros Arrangement im mittelschnellen Tempo und...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

Paying tribute to the wonderful music created by Pat Metheny and Lyle Mays in the 1980's and 90's (notice the wordplay in the title), this driving original for medium advanced bands features an energe...

This modern straight-eighth feel chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an imp...