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A simple, yet effective work with a folk song-like melody, Mansions in the Sky features an easy piano accompaniment and elegant voice parts for choirs of any age. Carl Strommen's music always makes yo...

As the text says, 'A twist of the tounge is easier sung than said. ' It's true! Just 'enunciate clearly the words you love dearly' and these 'twisters and teasers, grammatical pleasers are' a singer's...

Another great 2-part spiritual arrangement from Patsy Ford Simms. It's a light, swing setting with an easy piano accompaniment. Part II has the melody for most of the piece but Part I gets its turn, t...

What a wonderful musical image: 'We're the future of tomorrow; let us lift our voices high.' Features strong but easy counterlines, building to a majestic finish. A favorite by Patsy Ford Simms. Perfe...

A wonderful teaching piece for young singers. The melodies are easy so you can focus on choral techniques such as a clear vocal tone, phrasing, and diction. It's a quick-learn, jubilant piece written...

Don Besig and Nancy Price have done it again! It's a partner song with one of Irving Berlin's all-time favorites: 'I Love a Piano'. Don and Nancy's clever text fits perfectly with their bouncy new mel...

Give your young choir the opportunity to sing a classic melody with this new work by Donald Moore based on a canon by William Boyce (1710-1779). It's a simple and effective teaching piece suitable for...

This partner song combines 'America The Beautiful' with a new melody set to the text of the 'Pledge of Allegiance.' Give a special listen to the SoundTrax, which features powerful brass and percussion...

Sally Albrecht hat es wieder getan mit diesem eingängigen, rhythmisch rockenden (und wir meinen nicht 'Rock n' Roll') Weihnachtsspiritual. Der Frage-/Antwort-Aspekt des Textes macht es einfach zu lern...

Dieses meistverkaufte 2-stimmige Chanukkah-Stück ist jetzt auch für 3-stimmige Stimmen erhältlich. Ein wunderbares saisonales Stück, das die Traditionen von Chanukka beschreibt. Rund um die Welt versa...

A delightful, bouncy number set in a baroque musical style with easy voice parts and lyrics that describe how music touches our lives. This perky selection will add sparkle to any concert. Use the Alf...

Features an obbligato flute part, flowing piano accompaniment and an easy to sing melody.

A great selection for use with your show groups or concert choir. This piece is packed with energy and excitement. Don't miss this 'must do' number. Use the Alfred SoundTrax--you'll love the differenc...

Great lyrics that describe the friendships being built among students of this age group. Your groups will be singing this all year long. 'I like vanilla. And I like chocolate. But that doesn't matter...

This Train and When the Saints Go Marching In are cleverly intertwined in this fun partner song. Use the Alfred SoundTrax for choreographing rehearsals and concerts or use the optional concert band ar...

Dave and Jean Perry are well known for their excellent and exiting 2-part choral writing. This piece has strong, independent vocal lines, a Perry trademark. The simple piano part adds a driving rhythm...

This fun-packed arrangement includes new, updated lyrics. Use the Alfred SoundTrax CD. Featured on 'On with the Show!' video, #21799.

This beautiful American patriotic melody is sensitively arranged for younger players and will be a useful and versatile addition to any band library. A heralding introduction leads to a stately theme,...

An exciting choral work mixing traditional Latin with a fresh, new English text. The strong rhythmic pulse of the opening and closing melody contrasts with a chant-like middle section. For choirs of a...

You must always strive to keep your dream alive.' That's the theme of this expressive selection from Mary Donnelly and George Strid, featuring an optional solo and closing soprano descant. The SoundTr...

An easy-to-teach arrangement of a great, standard song recently sung by Bette Midler in the movie 'Beaches. ' The lazy, swing tempo arrangement highlights the conversational nature of the text. . . gr...