Hinshaw Sacred

A simple, yet effective piece for Christmas-looking-forward-to-Easter (or possibly Easter-looking-back-at-Christmas), it is Mary ondering these things in her heart'.

Are you looking for a solid general anthem for 2-part mixed voices? This is it-from Lutheran pastor J. Bert Carlson!

Catchy, medium to easy piece for two equal voices (adults and/or children), keyboard, and optional handbellsFrom the Accent On Youth Series

Valerie Showers Crescenz takes her compassion for the lost children of Romania and turns out this gripping lyrical work, works for treble voices of all ages.

For unison voices, try this lovely setting with piano and violin (or flute) during Lent. It would even work with treble adult and children's voices together.

For unison or 2-part treble voices, this lilting selection with limited range would be perfect for a school choir, a church's women's chorus, or for children's choir, suitable for Epiphany or Christma...

Written for treble voices (particularly successful with women's choir or children's choir) with keyboard and violin (or flute), this piece will be a winner at Thanksgiving, it also works for general u...

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Scored for treble voices with piano and cello, this is a deeply meaningful work that is suitable for Mother's Day, baptism, or services of grief and remembrance, two soloists could also sing it.

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

There are a number of possibilities for this unison piece. Try it on Christmas Eve or Epiphany with children or adults and piano.

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

This lovely Christmas piece is set for treble voices SA with an optional S2 accompanied by piano. In the lyrical style so true to the works of Allen Pote, the simple text is enhance by creative phrase...

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.