Hinshaw Sacred

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

There are a number of possibilities for this unison piece. Try it on Christmas Eve or Epiphany with children or adults and piano.

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

This lovely Christmas piece is set for treble voices SA with an optional S2 accompanied by piano. In the lyrical style so true to the works of Allen Pote, the simple text is enhance by creative phrase...

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

Simple, but profound, and beautiful, any choir, from the children on up, can make this one work. Included in the Sleeth collection, Laudamus (HMB126)Also available in SATB (HMC1345)

British composer David de Warrenne is well known for his treble voice settings. Here, he gives us an arrangement of the popular Czechoslovakian carol set for three-part treble voices with piano. Try i...

This spiritual arrangement is set for two-part treble chorus with orff instruments. Try it with treble voices of all ages. The added instruments really help bring the piece to life.

Here is an elegant arrangement of this well known spiritual that combines gentle and evocative harmonies while moving towards a heartfelt statement at the very end. It will work well in both worship s...

Harmonious Herbst is a cantata for chorus, soprano solo, and chamber orchestra with flute, oboe, bassoon, and strings. It is based on five spiritual songs in the collection entitled Hymns To Be Sung A...

Short and powerful, this work draws its inspiration from Romans 9:21, one of the most ancient spiritual images in Christendom.

This arrangement of the swinging American spiritual features a call and response pattern. Medium secondary level

Robert Lau sets this lovely traditional spiritual for SAB voices and organ or piano, suitable for Lent

Originally written for middle school voices, this lovely spiritual arrangement is set for choir accompanied by solo saxophone. It would also work successfully for high school or adult voices in worshi...

This gospel tune is really fun! Try it with your youth or adult choirs in worship settings or concert.

Renowned composer and organist Carolyn Hamlin arranged this gospel style hymn initially penned by Robert Monath. Written for mixed voices with keyboard, the lyrics reflect on nature, God's loving grac...

An easy piece for children and orff instruments, the text and melody are suitable for use as a congregational hymn. From the Accent On Youth series

Lee Scott is a familiar name amongst church musicians-his works found in a number of catalogues. Here, Scott sets the well-known Latin text for male chorus with tenor and baritone solos, and optional...

Fitting for a Protestant Choir, taken from Proverbs 3:5-6 and I Chronicles 28:9