Treasury Choral

The majestic final chorus from Beethoven's beloved oratorio, The Mount of Olives. Rich, full chords glorify Jesus' final triumph. Available: SATB.

Joyful cascading vocal lines and fa la la's will enliven your treble choir's concert or festival performance! The optional percussion creates a dance-like feel in this delightful madrigal edition.

Nach einem Chorsatz aus dem Oratorium Judas Maccabaeus ist dies eine wunderbar freudige Hymne für Diskant-Sänger und eine hervorragende Einführung in den Stil des Barock!

Fashioned after the Ballettos of Italy featuring the popular fa, la, la refrains, here is a wonderful piece for teaching terraced dynamics, independent singing through counterpoint and Baroque style.

Fashioned after the Ballettos of Italy featuring the popular fa, la, la refrains, here is a wonderful piece for teaching terraced dynamics, independent singing through counterpoint and Baroque style.

A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.

A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.

From Chandos Anthem No. 6, this easily-learned contrapuntal work has a majestic quality that will enhance all types of programs in church, school and community.

From the Thomas Weelkes Ayeres or Phantasticke Spirites for three voices, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful concert opener, it lends itself w...

From the Thomas Weelkes Ayeres or Phantasticke Spirites for three voices, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful concert opener, it lends itself w...

Fashioned after the 16th century Ballettos of Italy which featured the popular fal, la, la refrains. This is a worthy addition to the Choral Treasury series that John Leavitt has been curating and cou...

Fashioned after the 16th century Ballettos of Italy which featured the popular fal, la, la refrains. This is a worthy addition to the Choral Treasury series that John Leavitt has been curating and cou...

Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine), providing additional rhythmic security for developing ensembles and adding a dance-lik...

Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine), providing additional rhythmic security for developing ensembles and adding a dance-lik...

Excerpted from The SAB Choir Goes Renaissance (00221998), this single offers simple, homophonic singing through the verse but a wonderful opportunity for your choir to sing Renaissance polyphony throu...

Excerpted from The SAB Choir Goes Renaissance (00221998), this single offers simple, homophonic singing through the verse but a wonderful opportunity for your choir to sing Renaissance polyphony throu...

From the Oratorio de NoÙl, this is a superb masterwork arrangement for beginning male or mixed choirs.

John Leavitt has established a reputation for carefully selecting important and historic repertoire, editing it in ways to make singers successful, all while staying true to the stylistic period. This...

Here is the 10th movement from the Handel Oratorio Judas Maccabaeus. Sung by a bass soloist in the major work, this arrangement is skillfully set to fit the voices of young men.

This setting of Cesar Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and string...

Available separately: SATB, ChoirTrax CD. Score and parts (hrpchd, tpt 1-3, timp, ob 1-2, vn 1-2, va, vc, db) available as a Printed Edition. Duration: ca. 2:10.