Danny Crawford

Die für Doppelchor geschriebene Komposition Stabat Mater von Orlando di Lasso (1532-1594) ist eine der späteren Lasso-Motetten und dürfte am Anfang der achtziger Jahre des 16. Jahrhunderts entstanden...

Lasso, Orlando di (1532 - 1594)

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Spirit of God (Descend Upon My Heart) represents the classic, a cappella-style arrangements from Robert Berglund and the Bethel Choir (MN). Spirit of God effectively expresses the text of George Croly...

This playful French chanson by di Lasso is delightful! Easily learned and effective in performance! Also includes an English text. Performance Time: Approx. 1:00

Prolific composer Orlando di Lasso's madrigal is carefully arranged for SATB voices with a fresh harmonic treatment. Understated in its approach, the arrangement is relaxed and maintains the beauty of...

For Mixed Voice Choir (SATB) A Cappella.

For SATB Choir A Cappella.

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Gesualdos Libro primo di Madrigali a cinque voci wurde erstmals 1594 in Stimmbüchern durch Baldini in Ferrara publiziert. (Allerdings wissen wir, dass es zuvor auch schon einen „privaten“ Druck gegebe...

Im Gegensatz zu den zwei modernen Vorgängereditionen von Carlo Gesualdos 'Libro Secondo' von Francesco Vatielli (Rom 1956) bzw. Wilhelm Weismann (Hamburg 1962), die sich beide auf die von Simone Molin...

Carlo Gesualdos 'Madrigali a cinque voci, Libro Terzo' ('Drittes Buch der fünfstimmigen Madrigale') ist das dritte Buch, das Gesualdo in Ferrara beim herzoglichen Drucker Antonio Baldini veröffentlich...