Jugendblasorchester Noten
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
- Blasorchester
- Partitur und Stimmen
- Martin Baumgartner
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
Felix Mendelssohn (1809-1847) began to plan an oratorio on the subject of Elijah as early as 1837, a few months after the great success of his first oratorio St. Paul. The libretto of Elijah is most s...
- Blasorchester
- Partitur
- Martin Baumgartner
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur
- Henk van de Weijer
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
Giuseppe Giuseppe Verdi (1813-1901) composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853), this opera belongs to the top of Giuseppe Verdi's middle period o...
- Blasorchester
- Partitur
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man.She leaves her luxurious live for him and finally offers her lo...
- Blasorchester
- Partitur
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
- Blasorchester
- Partitur
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)
- Blasorchester
- Partitur
- Roger Niese
- Baton Music
-
-
Lieferzeit 1-2 Wochen
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
- Blasorchester
- Partitur und Stimmen
- Gary Bricault
- Baton Music
-
-
Lieferzeit 1-2 Wochen
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral...
- Blasorchester
- Partitur
- Gary Bricault
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
- Blasorchester
- Partitur und Stimmen
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
Orfeo's famous aria Che faro senza Euridice ? (What shall I do without Eurydice?) is placed in the third and final act of Gluck's opera Orfeo ed Euridice: At length he, Orfeo can no longer resist Eury...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
- Blasorchester
- Partitur und Stimmen
- Jos Dobbelstein
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
- Blasorchester
- Partitur
- Jos Dobbelstein
- Baton Music
-
-
Lieferzeit 1-2 Wochen
- Blasorchester (Solo/Feature: Querflöte)
- Partitur
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
- Blasorchester (Solo/Feature: Querflöte)
- Partitur
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Karin van Dijk
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur
- Karin van Dijk
- Baton Music
-
-
Lieferzeit 1-2 Wochen
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
- Blasorchester (Solo/Feature: Gesang (mittel))
- Partitur
- Jos van de Braak
- Baton Music
-
-
Lieferzeit 1-2 Wochen