Moderne bis klassische Chornoten

This classic carol by Pietro Yon is offered in a grand and beautifully orchestrated arrangement. Available: SATB, SAB, SSA, Instrumental Pak, ShowTrax Cassette.

Equally effective with male or treble ensembles, this 2-part work offers an appropriate challenge to developing ensembles. Ideal for contest or festival occasions. Available: SA/TB. Performance Time:...

From the Vivaldi Gloria. Available: SA. Performance Time: Approx. 2:40.

Art thou troubled? Music will calm thee. The soothing strains of this Handel aria are offered here in an excellent new arrangement for unison choir. Ideal for developing tone, phrasing and style, this...

Originally written by Johann Hermann Schein, (1586-1630) this new edition cleverly portrays the joyful morning sound of roosters and chickens as a new day begins.

The perfect introduction to concert literature for the younger choir. Filled with opportunities for teaching musical concepts, your choir will enjoy this expressive original.

Treble choruses can experience Baroque style and performance practice in this setting from Bach's Motet VI. Performed a cappella or with the continuo accompaniment, it will make a fine addition to hon...

An excellent SSA selection, the text of this work by John Leavitt is by the 20th-century poet e. e. cummings. Requiring precision and attention to detail, this short and humorous work will be an excel...

Contemporary use of harmony within a well-loved folk tune creates a strong addition to literature for the women's chorus or youth choir. Simple but effective writing - excellent contest choice! Availa...

The Angels' #1 hit of 1963 returns as a special women's feature. Mark retains the campiness of the original while spicing it up with today's pop sound! Available: SSA, ShowTrax CD. Performance Time: A...

The Weather Girls predicted hot weather in their rendition of this Four Seasons classic. Contemporary! Available: SSA. Performance Time: Approx. 2:20.

The beauty of this plaintive American song is distinctively developed in this 3-part treble setting. Sensitive piano lines and interweaving vocal textures will create an unforgettable concert moment....

With a driving gospel beat, unison lines, close parallel harmonies, and syncopated rhythms, this contemporary original work is richly rooted in the African-American gospel tradition. An excellent sele...

With text adapted from Song of Solomon, this soaring piece for women's choir is excellent for contest, concert or festival. New writer Laura Farnell carefully sets the text with word painting, express...

With text from Shakespeare, this is a wonderful addition to the contest and festival repertiore. Performance Time: Approx. 4:00

Spanish is truly the language of love! Singers from high school and up will embrace this smooth original Latin ballad with a text that expresses the deepest feelings of the heart: You are my inspirati...

Look out, ladies! The classic novelty from South Pacific returns in a rousing treatment ideal for the women of your choir! Available: SSA. Performance Time: Approx. 2:40.

Commissioned for the ACDA National Convention in New York, 2003, Rosephanye Powell has brought her classic style to this beloved spiritual. Rhythmic, vibrant and fun are words that describe this energ...

Originally released as a 2-part anthem in the Houston Children's Choir series, this new SSA arrangement is delightful.

Already a favorite for mixed voice choirs, this setting for SSA is sure to be popular. William Powell, Rosephanye's husband, has adapted her winning choral for SSA voices beautifully.

Commissioned by Vox Femina for their 2004 ACDA performance, this work reveals a connection to African-American culture through its musical roots and affirming text. Ideal for women's groups from high...

Elizabeth Bishop's poem begins with This is the house of bedlam, and Jonathan Bailey Holland sets the stage appropriately with a calamitous accompaniment and quick choral bursts of text. The lyrics sp...

Almost too clever for words, Larry Shackley decided it was time to make fun of all those who use Bach's classics as a foundation for a new song. So he did it, too, but in the most honoring and humorou...