Moderne bis klassische Chornoten

If you enjoyed Glory Hallelujah To The Newborn King, your choirs and audiences will be thrilled by this outstanding spiritual for advanced mixed choruses, a true winner!

Winner of the 2003 Chanticleer Student Choral Composition Competition, this work for advanced choirs sets the Byron text in a lush harmonic style.

Former director of Chanticleer, Joseph Jennings, has arranged this spiritual for a cappella divisi voices. The traditional spiritual tune, also known as Hold On, was adopted for use by the Civil Right...

Composed for a high school festival choir, this original spiritual with music and words by the composer is sure to bring elicit a favorable response from the audience. Looking for an unaccompanied spi...

Whether Mark Butler is writing a liturgical piece or one of his spirituals, you can depend on a high quality of writing that is unique and direct. Try this one with your high school or college choiror...

Donald Busarow is a well-established choral conductor, educator, and composer and this work of his is suitable for stewardship Sunday, the New Year, or any time of renewal.

This original Christmas work by Stephen Hopkins is quite the rhythm-driven piece and is scored for mixed voices, three soloists, and optional conga drums, it works well for high school, college, and a...

The ever-popular Go Tell It On The Mountain is set here for unaccompanied mixed chorus, optional soprano or tenor solo, with percussion, a real winner for this year's holiday concert!

This winner of the Chanticleer Student Composition Competition is based on a Hungarian folk text translated to English. Composer Joseph Twist sets a deeply moving homophonic work that explores 'God ha...

This unaccompanied work is for mixed voices divisi a cappella. This traditional African-American spiritual makes reference to the book of Jeremiah where the 'balm of Gilead' heals the spiritual wounds...

In Winters Keeping employs a number of sonic & stylistic devices reminiscent of Japanese traditional music as well as textures that that define a sense of stasis and suspended time. It is challenging,...

The five a cappella movements forming words from paradise by composer Dan Forrest each set on word from Scripture. The five pieces form a symmetrical arch, with selah as the keystone. Each piece repre...

Hungarian composer Gyorgy Orban has a unique yet accessible harmonic language. Here, Orban gives us a colorful unaccompanied motet set to the evening canticle from Luke. Try it in a worship or concert...

This spiritual is quite unique - unaccompanied mixed chorus with baritone solo along with auxiliary percussion of heavy chains and bass drums, two pitches. The work could play a pivotal role in a grou...

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

This lovely melody is arranged here in a lush harmonic style. Try it with advanced choruses on your holiday concert.

Jonathan Miller has long been associated with Hinshaw music conducting his ensemble Chicago A Cappella for many of our demonstration recordings. Now, as composer and lyricist he gives us this very bri...

Translated Beat The Gong While Dancing, Praise The Lord, Christian Tamaela gives us a thrilling and energetic work for mixed choir a cappella, great for use in a set of works for all over the world.

This work is set for mixed chorus a cappella on a clever text by Russell Edson. Try it for an earth day concert.

This choral prayer was one of the winners of the 2006 Chanticleer Student Choral Composition Competition. For mixed divisi voices a cappella, the serene work is harmonically lush and true to the text.

This is a benediction that is set for unaccompanied mixed chorus with divisi. Quite brief, the part writing is true to the elegant classic style of Robert Lau.

Originally scored for treble voices (HMC2065), this mixed chorus voicing is just as successful. Try the piece with other 'global' music on your spring concert or on any festive occasion in the church.

There are many uses for this secular inspirational work scored for mixed voices a cappella. It would make a marvelous graduation anthem or concert closer at the end of an academic year.